Showing posts with label 2010 Audio Book Challenge. Show all posts
Showing posts with label 2010 Audio Book Challenge. Show all posts
Saturday, January 8, 2011
Lion in the Valley by Elizabeth Peters (audio)
Book Description:
The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Emerson, and their wild and precocious eight-year-old son, Ramses. The much-coveted burial chamber of the Black Pyramid in Dahshur is theirs for the digging. But there is a great evil in the wind that roils the hot sands sweeping through the bustling streets and marketplaces of Cairo.
The brazen moonlight abduction of Ramses and an expedition subsequently cursed by misfortune and death have alerted Amelia to the likely presence of her arch nemesis, the Master Criminal, notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivate the evil genius this time around. For now the most valuable and elusive prize of all is nearly in his grasp: the meddling lady archaeologist who has sworn to deliver him to justice...Amelia Peabody!
Fourth in the Amelia Peabody Victorian mystery series, this time around, Amelia comes face to face in Cairo with the MC (Master Criminal) himself, who seems to have developed a tendre for her. Hilarious, involving the usual shenanigans, the loquacious Ramses, the irascible and magnificent Emerson and a crop of characters which include a pair of young lovers Amelia takes under her wing. It all continues to insure the success of this delightful series. On Audio, it's even better, made possible by the remarkable Barbara Rosenblat.
Amelia and her archaeologist husband, Emerson are at it again in Egypt. No sooner do they get there but murder and intrigue stalks them. This time around two younger characters join their camp, both carrying secrets of their own. Nemo, a red headed drifter who is addicted to opium is employed to watch Ramses - not an easy task. Nemo is obviously from the ruling class - a Scot most likely, but his background remains to be seen. Amelia is eager to uncover the truth about him whilst reforming him of his dissolute ways. She sums him up easily - there must have been a women that led to his self-destruction. She is determined to get to the bottom of it. Coincidentally, a pretty young woman, Enid joins them as well. Enid is hiding out with the Emersons to avoid being arrested for murder in Cairo. Who really murdered her supposed lover and what brought her to Cairo in the first place? Do she and Nemo know one another from another time? And where did he get this Nemo name from anyway? His name is really Donald - or was it Ronald? In any event, he's a Fraser. Red hair with a last name of Fraser? A Scot too? I like him already!
Loads of uproarious moments throughout the novel. One particularly funny moment was the predicament of explaining to Ramses the facts of life. Amelia tactfully leaves this momentous occasion to Emerson who harrumphs and coughs his way through it as Ramses asks question after question. It was really quite funny. I find as Ramses is getting older, he's not quite as adorable as he used to be, but his moments in the novel are the highlights as are the private moments between Amelia and Emerson.
The crowning point in the novel is when Amelia is kidnapped by the Master Criminal and he explains his motives to her - much to her horror and complete surprise. I must admit, it's hard to get Amelia flustered, but in this case, she came pretty close - and was indeed, quite flattered by the attentions of Sethos (as the Master Criminal calls himself) nearly overcome by the moment and caught up in his ... how shall we say... charms? Fortunately, Emerson rescued her just in the nick of time. Sethos escaped (a master of disguise and magical chicanery) after an impromptu duel over harem clad Amelia (though not without her underclothes!) Emerson did take note of her outfit later and was able to put it to good use before the authorities came. ;)
I'm leaving tons out, but as usual, this was a superb and very, very funny installment in the adventures of Amelia Peabody!
4/5
Monday, December 27, 2010
The Shadow of the Wind by Carlos Ruiz Zafón (audio)
Book Description:
Barcelona, 1945. A great world city lies shrouded in secrets after the war, and a boy mourning the loss of his mother finds solace in his love for an extraordinary book called The Shadow of the Wind, by an author named Julian Carax. When the boy searches for Carax's other books, it begins to dawn on him, to his horror, that someone has been systematically destroying every copy of every book the man has ever written. Soon the boy realizes that The Shadow of the Wind is as dangerous to own as it is impossible to forget, for the mystery of its author's identity holds the key to an epic story of murder, madness, and doomed love that someone will go to any lengths to keep secret.
Shadow of the Wind is an historical fiction, a novel filled with twisty turny plot lines and characters that keep you guessing and wondering. It's the story of a young Spaniard, Daniel who searches for what happened to the author of a mysterious book. Their lives parallel in this literary mystery. It kept me guessing throughout with imaginative and memorable characters as well.
Young Daniel Sempere is introduced to the "Cemetery for Books" with his father at a young age. The son of a bookstore owner, Daniel is appreciative of this honor. He is allowed to select one book to keep. What is that book? The Shadow of the Wind by Julian Carax. A relatively unheard of author, Daniel's story begins with his discovery of Julian's book - and his fascination that evolves in regard to the mysterious author. Daniel devours the book and longs to read more by Julian, but alas the books are hard to find and Daniel soon learns that a mysterious person that resembles a character in The Shadow of the Wind is following him, and wants the book. This person is destroying every copy of Julian's books that still exist. Why? Who is this person with a leather mask for a face?
Over the course of this interesting and sometimes poignant journey of Daniel's, we see him grow up into a young man. We get to know Daniel and the many special people in his life, such as his good friend and confidante, the beloved Fermin, one of my favorites in the book. As Daniel learns more about Julian Carax, we realize Daniel's life, in one particular way, parallels Julian's. Both fall in love with a young women forbidden to them. I was kept guessing throughout the book and had all sorts of ideas and theories about who was who and what was the big secret. I was wrong most of the time, but it made it all the more an enjoyable read/listen. I must admit, it was a very clever story!
Listening to this on audio was worthwhile for the Spanish names and expressions are fresh in my mind, and I know that if I had read it in print, I would have mangled all the Spanish pronunciations (I've never studied the language) and I feel fortunate I listened to it instead. Narrated by Daniel Philpott, he did a fantastic job with all the voices, accents, pronunciations, etc. I was sympathetic towards all the characters, his voice flowed through the story making it seamless and soothing to me as I listened while going about my daily routine of commuting, folding laundry, making dinner, working out - you name it.
A memorable story, a mystery within a mystery and any book lover will appreciate the storyline for it revolves around a book! Not only that, the era and setting is unique to me, I am now eager to visit Barcelona one day. The mystery of what happens to Julian has many layers and I found it riveting, as well as Daniel's story and how the two merge and come together. A brilliantly planned out novel, executed perfectly. Very well done. Ironically enough, I started reading this a few years ago and put it down, I just wasn't in the right mood for it at the time. I'm glad I picked the novel up again and listened to it instead. If you are like me, give it another try or keep with it, it gets better and better as the story progresses.
I highly recommend this novel, I'm sorry it took me so long to read it, but I'm glad I finally did!
4/5
Sunday, December 19, 2010
2010 Audiobook Challenge Completed - Year End Wrap Up
I had an amazing year for audiobooks, some of my favorite all time books were discovered this year on audio. I easily completed the 2010 Audiobook Challenge hosted by Aline at Royal Reviews. My goal was to listen to 20 audiobooks (obsessed level) for the year. I surpassed that figure and listened to 33! What were some of my favorites? To name a few: A Town Like Alice, The Help, Life: Keith Richards and Paul is Undead. I discovered several new authors, such as Kate Morton, Ariana Franklin and Elizabeth Peters, plus I zipped through all three Girl with the Dragon Tattoo books!
Below is my list in the order I finished them and my ratings. All with links to my reviews.
1. The Lost Symbol by Dan Brown 3.5 stars
2. The House at Riverton by Kate Morton 4.5 stars
3. The Seduction of the Crimson Rose by Lauren Willig 4 stars
4. A Town Like Alice by Nevil Shute 5 stars
5. Guilty Pleasures (Anita Blake Vampire Slayer) by Laurell K. Hamilton 2 stars
6. The Greatest Knight by Elizabeth Chadwick 3.5 stars
7. The Well of Lost Plots (Thursday Next) by Jasper Fforde 4 stars
8. The Temptation of the Night Jasmine by Lauren Willig 3.5 stars
9. Mary Queen of Scotland and the Isles by Margaret George 3 stars
10. The Help by Kathryn Stockett 5 stars
11. The Forgotten Garden by Kate Morton 3.5 stars
12. The Betrayal of the Blood Lily by Lauren Willig 3.5 stars
13. Something Rotten by Jasper Fforde 3.5 stars
14. Girl with the Dragon Tattoo by Stieg Larsson 4.5 stars
15. The Whiskey Rebels by David Liss 4 stars
16. The Girl Who Played with Fire by Stieg Larsson 4 stars
17. A Reliable Wife by Robert Goolrick 1.5 stars
18. The Dead Travel Fast by Deanna Raybourn 2.5 stars
19. The Girl Who Kicked the Hornet's Nest by Stieg Larsson 4.5 stars
20. The Physick Book of Deliverance Dane by Katherine Howe 3.5 stars
21. Shanghai Girls by Lisa See 3.5 stars
22. Paul is Undead by Alan Goldsher 4.5 stars
23. The Historian by Elizabeth Kostova 2.5 stars
24. The Curse of the Pharaohs by Elizabeth Peters 4 stars
25. Mistress of the Art of Death by Ariana Franklin 4 stars
26. Into the Wilderness by Sara Donati 3.5 stars
27. The Mummy Case by Elizabeth Peters 4 stars
28. First Among Sequels: Thursday Next by Jasper Fforde 3 stars
29. The Serpent's Tale by Ariana Franklin 4 stars
30. Life: Keith Richards by Keith Richards 5 stars
31. The Mischief of the Mistletoe: a Pink Carnation Christmas by Lauren Willig 4.5 stars
32. The Shadow of the Wind by Carlos Ruiz Zafón 4 stars
33. Lion in the Valley by Elizabeth Peters 4 stars
I fully intend to do this challenge again in 2011, it was so much fun and since I'm such a big audiobook lover, it was a breeze to do!
I hope everyone has a safe and happy new year!
Labels:
2010 Audio Book Challenge
Sunday, November 28, 2010
The Mischief of the Mistletoe: A Pink Carnation Christmas by Lauren Willig (audio)

Book Description:
Arabella Dempsey’s dear friend Jane Austen warned her against teaching. But Miss Climpson’s Select Seminary for Young Ladies seems the perfect place for Arabella to claim her independence while keeping an eye on her younger sisters nearby. Just before Christmas, she accepts a position at the quiet girls’ school in Bath, expecting to face nothing more exciting than conducting the annual Christmas recital. She hardly imagines coming face to face with French aristocrats and international spies…
Reginald “Turnip” Fitzhugh - often mistaken for the elusive spy known as the Pink Carnation - has blundered into danger before. But when he blunders into Miss Arabella Dempsey, it never occurs to him that she might be trouble. When Turnip and Arabella stumble upon a beautifully wrapped Christmas pudding with a cryptic message written in French, “Meet me at Farley Castle”, the unlikely vehicle for intrigue launches the pair on a Yuletide adventure that ranges from the Austens’ modest drawing room to the awe-inspiring estate of the Dukes of Dovedale, where the Dowager Duchess is hosting the most anticipated event of the year: an elaborate 12-day Christmas celebration. Will they find poinsettias or peril, dancing or danger? And is it possible that the fate of the British Empire rests in Arabella and Turnip’s hands, in the form of a festive Christmas pudding?
When I heard that Lauren Willig was giving "Turnip" Fitzhugh his own book, I wondered. How is she going to pull this off and turn him into a lusty and dashing Regency hero? Well, now I know. I can't exactly say he's lusty, though he's looked on a lot of women with lust ;) Reginald "Turnip" Fitzhugh is a delight! Bumbling, yet full of good intentions, he meets his match in Arabella Dempsey, a well brought up young lady, who must become a schoolteacher in an exclusive girl's academy to help out her family's finances. While there, she stumbles into Turnip - literally - as well as a valuable document that French spies are willing to kill her for. Guess who comes to her rescue? I laughed aloud and loved every bit of this delightful and oftentimes hilarious Christmas themed addition to Willig's Pink Carnation series.
If you have read the previous books in the series, you are already well acquainted with Turnip, as he is affectionately known as. Not the sharpest knife in the drawer, Turnip is a wealthy aristocrat with a penchant for outlandish waistcoats - the more garish the better. In the past books, he's been mistaken for the the Pink Carnation, a mysterious spy that has managed to foil many French agents under Bonaparte's regime. Of course, we all know Turnip is definitely not the Pink Carnation, although he's tall, handsome, blond and not a bad kisser when he puts his mind to it. But, a spy - no sir!
The year is 1803 and dutiful brother that he is, Turnip is visiting his younger sister at her boarding school in Bath, delivering her Christmas basket, full of assorted goodies and what not, despite the fact she'll be returning home within a week or two for the Christmas holidays anyway. The "goodies" are used mostly for trading purposes among the girls at the school. Turnip's sister Sally was a hoot, I really enjoyed her. On audio, Kate Reading did a great job of conveying just the right tone of bratty teenager. Willig is aces at describing the Regency version of sibling scorn that goes on between brothers and sisters. Blackmail, bribery, snarky remarks and the usual sniping at each other - that sort of thing. I loved it! Since I'm the youngest of six, I could totally relate! Not that Turnip isn't a gentleman, he is. He manages to rise above most of his sister's petty complaints, though he does often fall prey to her schemes and desires. The long and short of it is, he's a good brother, even if he's a soft touch. Sally's lucky to have him.
Arabella Dempsey is a brand new schoolteacher at Miss Climpson's. She bumps into Turnip and he takes to her immediately. They've met before, since Arabella was, until recently, the companion of her wealthy aunt and frequented many balls and soirees amidst the upper classes. Unfortunately, the aunt married a ne'er do well fortune hunter, a Captain Musgrave. Arabella's hopes of one day inheriting her aunt's wealth were crushed when Musgrave ensnared her aging aunt. It didn't help that the captain kissed Arabella and led her on as well - before the engagement! What a scoundrel! Now Arabella must make ends meet and her chance meeting of Turnip makes her slightly uncomfortable, for it's a reminder of what she could of had, and what her life is now. Turnip is oblivious to Arabella's life change. All he knows is he's attracted to her and wants to bloody well see her again! He invites her to join him on an excursion to Farley Castle. This will also help solve the mystery of the errant Christmas pudding with the cryptic note - "Meet me at Farley Castle" that turned up at Miss Climpson's. Turnip will be able to kill two birds with one stone. See more of Miss Dempsey and find out if he's uncovered a secret spy ring! Here we see my old favorites like Lord and Lady Vaughn. I loved their story from The Seduction of the Crimson Rose, although here they are terribly sarcastic and snobbish at Arabella and Turnip's expense. But, I think it's mostly an act, though their comments were deliciously on target - great job, Lauren!
After the excursion to the Castle, one thing leads to another and indeed the note in the pudding is related to French spies - and Arabella becomes their target. They believe she has an important list of spies and they will stop at nothing to get it. There is plenty of intrigue and as a result, a great deal of shenanigans ensue. Arabella and Turnip keep running into each other and naturally he develops a tendre for Arabella. He also sees it as his duty to protect her from said spies. After an hysterical midnight ruckus in the music room, capturing the music master sneaking into a window of Miss Climpson's, Turnip sneaks up to Arabella's bedroom at the school. Just to make sure she's safe, of course. One thing leads to another and they share a kiss - but this must stop. Arabella is a schoolteacher who cannot afford to lose her job - or her reputation. Turnip is not that easily dissuaded. He likes Arabella! He makes it a point to see her again at the hilarious Christmas Pageant put on by the school the next day. Arabella spends much of the time avoiding Turnip, but he chases her down. She doesn't realize his feelings are serious about her and she has to put an end to anything. I really felt badly for both of them. She tells him once and for all that she can no longer see him, it is folly. At first he's hurt by her rejection, believing she's putting him off because of his well known reputation for acting like an idiot, but puddings, jam, spies, danger and love all succeed in throwing these two together!
Much of the book revolves around the school and then later at the Duchess of Dovedale's Christmas House Party. Here we meet some of the characters from Willig's earlier book, Temptation of the Night Jasmine and if you're familiar with that book, you'll see how the stories run simultaneously, only we're now getting a different point of view. I'm leaving tons out, but trust me, it's jam packed with great little touches and loads of humor, I think this is by far the funniest of all the books in the series. I love humor in my romances and while listening to it on my iPod, this made peeling potatoes and emptying the dishwasher fun! I'm in awe of Willig's comic genius!
Turnip is an endearing hero and much of his dialogue is simply hilarious. The world according to Turnip can be most amusing! Who would have thought kippers could be so funny? "Rugby beating Rugby!" There were numerous crazy Turnip-isms - I wish I had the book in print to remember them exactly, there are too many to list, but they had me cracking up! Arabella's practicality and common sense counterbalances Turnip's joie de vivre! I love it how he goes to bat for her and defends and rescues her at the house party. He is honorable and gentlemanly with her - I'm so glad to see that they both find love at long last - and those lessons at Gentleman Jackson's sure did come in handy - I cheered at the results!
I highly recommend Mischief, it was a real treat and perfect for the holiday season. I especially loved the music that broke up the parts of the audiobook, it put me in a real festive holiday mood as well! This has become a new favorite in the series for me, Turnip and Arabella are adorable and refreshing. They're good for each other! I simply loved Turnip! He is a true hero in the finest sense of the word. I hope you enjoy this latest addition to the Pink Carnation Series as much as I did. As an FYI, this is a "clean" romance, no sex, so it's entirely appropriate for pre-teens. Also, there is no mention of the modern day story between Colin and Eloise that takes place in all the previous novels, so we'll just have to wait for Willig's next installment for more on that score.
Happy Holidays!
4.5/5
Monday, November 15, 2010
Life: Keith Richards by Keith Richards (audio)
Book Description:
As lead guitarist of the Rolling Stones, Keith Richards created the riffs, the lyrics, and the songs that roused the world. A true and towering original, he has always walked his own path, spoken his mind, and done things his own way. Now at last Richards pauses to tell his story in the most anticipated autobiography in decades. And what a story! Listening obsessively to Chuck Berry and Muddy Waters records in a coldwater flat with Mick Jagger and Brian Jones, building a sound and a band out of music they loved. Finding fame and success as a bad-boy band, only to find themselves challenged by authorities everywhere. Dropping his guitar's sixth string to create a new sound that allowed him to create immortal riffs like those in "Honky Tonk Woman" and "Jumpin' Jack Flash." Falling in love with Anita Pallenberg, Brian Jones's girlfriend. Arrested and imprisoned for drug possession. Tax exile in France and recording Exile on Main Street. Ever-increasing fame, isolation, and addiction making life an ever faster frenzy. Through it all, Richards remained devoted to the music of the band, until even that was challenged by Mick Jagger's attempt at a solo career, leading to a decade of conflicts and ultimately the biggest reunion tour in history. In a voice that is uniquely and unmistakably him--part growl, part laugh--Keith Richards brings us the truest rock-and-roll life of our times, unfettered and fearless and true.
A little known fact about me, that probably none of you are remotely aware of is I was once a complete Rolling Stone junkie. I was obsessed as a young teenager. Posters all over my room, the Stones insignia -that giant red mouth with the shiny lips on my bedroom door... a lifesize poster of Mick Jagger leering over my bed for everyone driving past our house to see. What can I say? I've been in love with the Rolling Stones for over 35 years. I didn't just love them, I grew up with them, I learned how to play the guitar with them - by them. Playing Rolling Stones songs as a kid, listening to the songs constantly and then becoming obsessed with them solidified my Stones mania. Mick and Keith in particular. I read up on them all I could - is it any wonder I'd drop everything and get this audiobook of Keith's - with Johnny Depp narrating? Come on - it's a no brainer!
This was an amazing autobiography, love, love, loved it! Keith's story is superbly told. One of the best autobiographies I've read (or listened to). An in depth view of life from the the resilient, indefatigable Keith Richards. Maestro, backbone, creative heartbeat and soul of the Rolling Stones. Never would I have imagined that the stoned out, heroine addicted, dark rhythm guitarist had been a choir boy and a boy scout! Tons of revelations on life, on the road, touring, drugs, his relationship with (and without) Mick, his girlfriends, children - even his pets! But most of all, the heart of it is the ever expanding love of his craft - the guitar and his music.
There are parts that get bogged down a bit in their early years. If you're not already aware of who the blues and jazz greats of Chicago were at the time, your eyes may glaze over as Keith extols over the greatness of these musicians. I remember reading their names way back when during my Stones obsession when I was thirteen or so: Muddy Waters, Howlin' Wolf, Bo Diddley, playing at the Crawdaddy Club. The early Stones were into rhythm and blues, that was their shtick. They then morphed into rock n' roll later.
One of the most amazing things Keith reveals is the fact that he was actually a choirboy - and a Boy Scout! It's almost a joke - as if he's putting us on heh, heh, "Let's fuck with their heads and make them think I was a choir boy and a Boy Scout - you think they'll believe it?" Well, let me raise my hand - I can't help but wonder, "Is he putting us on?" He was a soprano in a boy's choir in Dartford where he grew up and actually sang before the queen in the 1950's. On top of that he was really into scouting! He was even a patrol leader and to this day remembers it all - Keith remembers everything! I was really surprised and loved the accounting of his life.
In case you're not sure who Keith is, he's the dark horse, mangy, scary looking Stone who plays rhythm guitar while Mick struts across the stage, always in the limelight. Keith sings, but his speaking voice is gravelly, sexy, nearly incomprehensible. Yet his singing voice sounds so different! High and somewhat weak in the early years, he rarely sang except in harmony vocals with Mick. Never solo. Many of his songs, particularly on the "Steel Wheels" album are my favorites. "Can't Be Seen With You" and "Slipping Away" are great. His voice is good on them too. He really got into singing more in his later years and it shows. I can barely stand to listen to Mick on that album now, Keith is so much better and his songs are soulful with some beautiful melodies. Who'd have thought? Many of the Stones' great songs were written by Keith, they're his music, while Jagger mostly wrote lyrics, but later on wrote some big hits as well, such as "Miss You."
Keith was pretty cute in his early days of the '60's and '70's, you'd never know it now, with that leathery look about him. Check out his eyes, they've seen a lot over the years. I've seen the Stones twice in concert, first time was in 1981 on the "Tattoo You" tour. Keith looked very muscular onstage, I was surprised, I thought he'd look like a wasted heroine addict. He was off the stuff by then. Wearing a black leather vest and nothing underneath. Even from where I was, somewhere back in the crowd on an outdoor day in Philadelphia, he was someone to watch and follow. Keith was steady, much more than Mick, who was doing all his gyrations and turns and bumps and grinds with "Start Me Up" blasting. Keith held my attention, he looked focused and strong. Mick just looked, well... stupid. Ah, memories. The second time I saw them was on their "Steel Wheels" tour around 1989 at the Meadowlands at Giant Stadium. I remember it was a good concert, but not nearly as memorable as the Philadelphia gig. I don't even remember what Keith or Mick were wearing at that one - it was at night, outdoors, but I was older and more sedate by then. We actually had seats at that concert. *grin* I was married, but no kids yet.
Growing up an only child in a poor post-WWII Dartford, Keith got into scouting and singing in the school choir. But when his voice changed at around age 13 he was booted out of the choir and he was lost. He became a rebel after that, but still kept with the scouting until he heard Elvis' Heartbreak Hotel and began playing the guitar. That was it. His advice on guitar playing really interested me, for his advice is almost exactly what I did growing up. If you want to learn how to play the guitar, start with the basics and learn on an acoustic. Then work your way up to steel string and electric. I only got as far as acoustic with the gut strings (steel hurt my tender fingers too much) but I played and played constantly developing the much needed callouses. Luckily my older brother was just as into it as I was and he taught me alot. We'd jam together up on our third floor blasting "Sticky Fingers" and playing "Sway" and "Wild Horses," I was singing and wailing away on "Dead Flowers" over and over until we got it right. I was rhythm and my brother was lead. Hard to believe nowadays. I was very interested in Keith's trick by tuning his guitar with just five strings to get that quintessential sound. I play by ear most of the time nowadays and can learn a song simply by hearing it and playing it over and over - the same way Keith learned in his early days playing the guitar! Lots of craftmanship and hints and instruction abounds throughout his book. As he says at one point, musicians are always happy to help fellow musicians get it right. I haven't picked my Yamaha up in years - but I still have the same one I had from 1973-unbroken, no less! (I think it needs new strings - but that's about it.) I think it's about time I took that baby out of it's case - I'm so in the mood to jam again!
Everything you've ever wanted to know about the Stones you can probably find out in Keith's book. He pulls no punches and tells is like it is.
Keith was the real leader of the Stones. He rounded people up and got them to do stuff. Of course, during his heroine years, he might keep them waiting around for hours and hours, but he'd make up for it by not going to sleep for days to finish recording a track! He managed his heroine addiction to a tee, it was quite an art when you think about it. He's very open about it, I feel like, if the need ever arose, which I don't think it ever will thank-you-very-much, I would know just how to cut heroine - but it would have to be the good stuff. He lived with heroine for over 10 years, both he and his wife/girlfriend Anita Pallenberg were junkies -what an existence - but they managed it.
Keith's not malicious or spiteful, you can tell, he's just telling the truth about how he saw things. He's candid about Brian Jones and Mick Jagger - he doesn't hold his feeling back. He tells you exactly what he thought and still thinks of them. He basically hated Brian who had a mean streak. It was refreshing and clear - despite the 10+ years of when he was a heroine addict. Keith basically comes across as a great guy, a nice guy, a decent guy who just wants to play music and doesn't want to have to deal with egos and one particular member's LVS (lead vocalist syndrome) attempt to branch off to a solo career and undermined a record deal to do it. Keith is loyal and a friend for life but Mick's subterfuge really pissed him off. A must for any Stones fan, I cannot recommend it enough. I also liked the way the audio was set up. Johnny Depp did most of it as Keith before heroine, and then after heroine. During the heroine years, the voice is different, narrated by Joe Hurley, a fellow musician. He's more like Keith's real voice, slurry, sloshy, very British and just plain ... cool.
5/5
Thursday, October 21, 2010
The Serpent's Tale by Ariana Franklin (audio)
Book Description:
Rosamund Clifford, the mistress of King Henry II, has died an agonizing death by poison-and the king's estranged queen, Eleanor of Aquitaine, is the prime suspect. Henry suspects that Rosamund's murder is probably the first move in Eleanor's long-simmering plot to overthrow him. If Eleanor is guilty, the result could be civil war. The king must once again summon Adelia Aguilar, mistress of the art of death, to uncover the truth.
Adelia is not happy to be called out of retirement. She has been living contentedly in the countryside, caring for her infant daughter, Allie. But Henry's summons cannot be ignored, and Adelia must again join forces with the king's trusted fixer, Rowley Picot, the Bishop of St. Albans, who is also her baby's father.
Adelia and Rowley travel to the murdered courtesan's home, in a tower within a walled labyrinth-a strange and sinister place from the outside, but far more so on the inside, where a bizarre and gruesome discovery awaits them. But Adelia's investigation is cut short by the appearance of Rosamund's rival: Queen Eleanor. Adelia, Rowley, and the other members of her small party are taken captive by Eleanor's henchmen and held in the nunnery of Godstow, where Eleanor is holed up for the winter with her band of mercenaries, awaiting the right moment to launch their rebellion.
Isolated and trapped inside the nunnery by the snow and cold, Adelia and Rowley watch as dead bodies begin piling up. Adelia knows that there may be more than one killer at work, and she must unveil their true identities before England is once again plunged into civil war . . .
Another clever medieval historical mystery involving mistress of the art of death, Adelia Aguilar, who, now a mother, still uses her doctoring skills and winds up investigating the poisoning of the lady Rosamund Clifford, King Henry II's mistress.
I was a bit taken aback at first, since a lot has happened since the first book in the series ended. Adelia is now a mother, and the father of her baby, Rowley has taken an oath of celibacy to be one of the King’s bishops! Huh? But, I kept telling myself, hah! He’ll never keep that oath! (I was right.) When the Lady Rosamund becomes ill from poisoned mushrooms, Rowley is dispatched to fetch Adelia by King Henry. She is an expert on poisons, death and forensic medicine. It is an awkward reunion for them, the first they’ve seen of each other since the baby’s birth. They remain at arm’s length, though Rowley, unabashedly, coddles and dotes over their baby, Allie, speaking “baby talk” to the infant as any proud papa would –priest or no!
Adelia reluctantly agrees to go with Rowley, she doesn’t have much choice in the matter. Upon arrival at the abbey where Rosamund lives, it’s apparent she is dead, only they find a macabre death scene. Rosamund the fair, is no longer so fair. In fact, she is fat. That’s a surprise. But the real kicker is, her body is sitting up at a desk, as if she died while writing, stiff with rigor mortis. In front of her are letters she had been writing to Queen Eleanor, expounding on how much Henry is in love with her and how one day she will be the rightful queen. Very odd. No sooner does Adelia begin to examine the dead body but Eleanor of Aquitaine, Henry’s queen shows up herself! The whole scenario is very bizarre, and becomes even more so when Rosamund’s faithful housekeeper, Dame Dakers, tries to kill Eleanor of Aquitaine by jumping out from a hidden garderobe! Adelia prevents the murder, thus granting herself a bit of good will from the queen, though the rest of Eleanor’s followers have no love for Adelia, nor Rowley.
A full cast of characters enters onto the scene and it’s up to Adelia to figure out which one of them is behind the poisoning of Rosamund. Henry’s wily queen is the obvious mastermind behind the murder, but that’s too obvious for Adelia and Rowley. Rowley believes it’s someone else, who wants to make it look like Eleanor in order to start a Civil War between Eleanor’s followers and Henry’s. Eleanor has been under house arrest by Henry for several years and has just escaped from France to join forces with her eldest son, Prince Harry to overthrow Henry II. The time is ripe for rebellion and Adelia is smack dab in the middle of the snake pit of political intrigue and murder that surrounds Eleanor's retinue.
Who is the real culprit? In the dead of winter, Eleanor insists on taking everyone to Godstow, a nunnery. There they spend Christmas. At least Adelia is reunited with her baby, Allie and her friend and servant, Gyltha. Adelia begins her inquiries which puts her in even further danger from the real assassin and his employer. Plus, Allie’s life is threatened as well, which completely scares Adelia to death! The killer is warning her – don’t get too nosy! Meanwhile, Rowley has snuck off, faking his death in order to enlist the help of Henry II and his men. Can they make it to Godstow in time before the assassin responsible for Rosamund’s death - and the ensuing death of her maid – does away with Adelia as well? The bigger and burning question is - does Rowley ever break his vow in this book? ;)
It’s a clever mystery and no matter how much I love them, I’m awful at figuring out who the real villain is in mysteries. I’m the worst at picking up clues and mannerisms, probably because I’m listening to this on audio, instead of reading it, so I do miss things while emptying the dishwasher and making dinner. To say the least, I was stumped again about who was the mastermind, though I did guess the assassin. Kate Reading was the narrator on audio and she did a great job, as always. Her accents are believable for the men as well as the women.
This is a really interesting and absorbing series and I recommend it. Modern forensics and medieval history combined in one detailed and, at times, suspenseful novel. All the characters have their own macabre and detailed character flaws that bring them to life. I hear the next one, Grave Goods, is even better, I’m eager to get to it now.
4/5
Wednesday, October 20, 2010
First Among Sequels by Jasper Fforde (audio)
Book Description:
Literary sleuth Thursday Next is out to save literature in the fifth installment of Jasper Fforde's wildly popular series.
Beloved for his prodigious imagination, his satirical gifts, his literate humor, and sheer silliness, Jasper Fforde has delighted book lovers since Thursday Next first appeared in The Eyre Affair, a genre send-up hailed as an instant classic. Since the no-nonsense literary detective from Swindon made her debut, literature has never been quite the same. Neither have nursery rhymes, for that matter.
It's been fourteen years since Thursday pegged out at the 1988 SuperHoop, and Friday is now a difficult sixteen year old. However, Thursday's got bigger problems. Sherlock Holmes is killed at the Rheinback Falls and his series is stopped in its tracks. And before this can be corrected, Miss Marple dies suddenly in a car accident, bringing her series to a close as well. When Thursday receives a death threat clearly intended for her written self, she realizes what's going on—there is a serial killer on the loose in the Bookworld. And that's not all—The Goliath Corporation is trying to deregulate book travel. Naturally, Thursday must travel to the outer limits of acceptable narrative possibilities to triumph against increasing odds.
Packed with word play, bizarre and entertaining subplots, and old-fashioned suspense, Thursday's return is sure to be celebrated by Jasper's fanatical fans and the critics who have loved him since the beginning.
Finally, I’ve finished the Thursday Next series, which for the most part was highly enjoyable, except for the fact that the series began to fizzle as it got closer to the end. This last book was somewhat of a disappointment. Rambling and disjointed, it was the weakest of the series. It really seemed more like a re-tread of all the previous books, summarizing what went on in them.
Here we find Thursday, and it’s fourteen years later from where the last book (Something Rotten) left off. Thursday and Landen are middle aged marrieds with their children. Friday is a grubby teenager, who barely speaks in anything other than monosyllables. There are two other younger daughters, Tuesday and Jen who we never see. We find out later that Jen is a figment of Thursday’s imagination and doesn’t really exist, due to a spell that Uranus Hades put on her. The narrative is from Thursday’s point of view, so she wouldn’t know this of course, until Landen and Friday tell her, but, due to the spell, Thursday can only remember this fact for a few hours at most before forgetting again and thinking she has a teenage daughter who is up in her room studying or something.
Anyway, back to the story, Thursday has been faking retirement from SpecOps all these years. She’s been hiding her secret from Landen, making him believe she works for a carpet installation company. Meanwhile, she’s still flitting in and out of Jurisfiction, the backbone of the behind the scenes book world that exists in all the Thursday Next novels. Jurisfiction is a brilliant alternate world and my favorite place in all these books. At first things seem a bit tame, until we realize that something is up and there is a dastardly scheme afoot to turn the beloved masterpiece, Pride and Prejudice into a reality TV show! I must admit, I had to laugh over this – it’s not a bad idea! But, the clincher is, if it’s made into a horrible reality show, the original book will disappear! Oh no! Can Thursday stop it? Mrs. Bennet, Kitty and Lydia, of course, are all for the idea, Jane is her usual noncommittal self as long as everyone is happy, Lizzy is distrustful of it – and darn! We never got to see or hear from Darcy – I would have loved to know what he thought of it!
While Thursday is trying to thwart this travesty from happening, she's battling all sort of other disasters due to the "serial" killer (hilarious pun!). She’s also training her “other” Thursday trainees, one who is known as Thursday5, a peace loving, Earth Shoe, yoga loving Thursday and Thursday 1-4, who is nothing like Thursday5. Thursday5 follows the “real” Thursday all around in Jurisfiction – learning the ways of being a Jurisfication agent. The other one, Thursday 1-4 (based on the books written about Thursday’s adventures) is more like a Lara Croft wannabe. She was quite amusing with her snide remarks and put downs of Thursday5. Everyone detests her in Jurisfiction-including the real Thursday, who disapproved of the way she was written in the first four novels about her. Thursday 1-4 has plans of her own to secretly turn Jurisfiction upside down – a major takeover more like!
In addition, Thursday is worried about the future of her son Friday and if he’s ever going to save the world. The way he is at 16 is not all that promising – but thanks to her time warp/travelling capabilities from her Dad and Uncle, she knows that Friday is destined to be a genius and play a huge part in time travel and saving the world! But, will he? Uh oh! *much too complicated to go into*
The usual mayhem takes place at the end of the book, but all ends well. The book wasn’t bad, it does have it’s moments, but it did seem to fall a little flat. Overall, it’s an amazing series, with loads of humor and plays on words, it’s ingenious the way it’s written. Yet, I got the impression that Fforde got tired of it and wanted to end it with the last book, Something Rotten, and was talked into writing another.
I listened to this on audio, which was narrated by Emily Grey, a different narrator than the earlier books. She did a fine job, but I disliked the way she made Landen sound, as if he’s some big, dumb galoof, otherwise it was good, but not great.
3/5
Sunday, October 10, 2010
The Mummy Case by Elizabeth Peters (audio)
Book Description:
Radcliffe Emerson, the irascible husband of fellow archaeologist and Egyptologist Amelia Peabody, has earned the nickname "Father of Curses" - and at Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere. And there is nothing in this barren area worthy of their interest - until an antiquities dealer is murdered in his own shop. A second sighting of a sinister stranger from the crime scene, a mysterious scrap of papyrus, and a missing mummy case have all whetted Amelia's curiosity. But when the Emersons start digging for answers in an ancient tomb, events take a darker and deadlier turn - and there may be no surviving the very modern terrors their efforts reveal.
Another clever and hilarious Amelia Peabody mystery on audio with the fabulous Barbara Rosenblat narrating. She has a diverse repertoire of voices, from German baronesses to American western drawls, she brings all the many characters to life. Her depictions of Emerson and their young son, Ramses had me in stitches! She was also great as the voluble and lascivious German baroness who had her eye on the very manly - and married - Emerson. Amelia handily sends her on her way. The American missionary zealots are probably my least favorite of her accents, I always find it a bit disconcerting to hear American accents amidst so many foreign dialects - they sound so flat and crass! I'm embarrased, wondering do I sound like that?
Amelia and Emerson are once again in Egypt for the archaeological season. This time they've brought their exceptionally precocious - and long-winded - son, Ramses. He is simply adorable as an archaeological child prodigy. As a young lad, he is naturally a magnet to dirt and muck and whatever other kinds of messes that little boys get into, much to Amelia's chagrin. I marvel at the urbane matter of fact nonchalance Amelia exudes when faced with the myriad scrapes and predicaments that befall Ramses, unlike Emerson, who is endearingly emotional when it comes to the boy. I believe it wouldn't hurt if Amelia showed more affection and patience with Ramses, he is a little boy after all, no matter how grown up he sounds.
I could go on forever about Ramses, I truly loved him, he was just so cuuuuute! How do I love thee, Ramses? Let me count the ways! He is a collector. He collects things - in this case, a baby lion cub to bring home to England for his Uncle Walter and Aunt Evelyn. He also has the most adorable way of talking with a lisp that comes and goes (depending on when he finds it most useful for effect.) Plus, I love the way he pronounces his "th's" instead with "d's" as if he has a Brooklyn accent! He sounds so adult in much of what he says, his vocabulary is exceptional as is his logic and reasoning. Yet, whenever he talks, it's all in this high pitched little voice and quasi Brooklyn accent! It is most adorable! His explanation of how he came to be in the pyramid with his parents when they were trapped there is particularly amusing, especially his answer in regard to where he left the note to tell someone where he had gone:
"I tied it to de collar of the de cat Bastet."Such a brave and noble little boy! No wonder his parents are so proud of him (even if Amelia doesn't lavish the praise as much as she should.) I am in awe how Peters had written his character! He is both totally adorable and amazingly advanced!
Since the story is in the first person of Amelia, her commentary and private opinions are generally spot on and totally amusing (due to her sometimes jaundiced point of view.) She is deliciously polite when she means to be cutting. She tosses off insults and dispatches set downs with the grace and aplomb of a princess. No matter where she is, Amelia remains a lady first and foremost, regardless of how taxing the circumstances. Some of the most amusing moments are when Emerson and Amelia are alone - they are so civilized with one another (at least as far as we can tell). Even when no one else is around to hear them! I suspect this is not the case in bed, but that is territory we are not privy too, although there are amusing allusions... who knows? One of my favorite little moments between them, (there are many) is when they are speaking of Ramses. Amelia vents her frustration in regard to his antics:
"I have long since given up trying to anticipate what Ramses can and cannot do," I replied with considerable heat. Your second point has some merit; but Ramses' motives are as obscure as his capabilities are remarkable. I never know what the devil the child has in mind."So civilized and so - British!
"Language, Peabody, language."
I took a grip on myself, "You are right. Thank you for reminding me, Emerson."
"You are quite welcome, Peabody."
I do love them together. A perfect combination! I was nearly in fits over how funny they were together when trying to determine a way to escape from the pyramid they were trapped in (before Ramses comes to help them out). The moans and groans and noises Emerson makes were hilarious as he must lift Amelia in the air to see if she can get out to safety. Rosenblat is simply perfect as Emerson! He is much funnier on audio that in print - trust me!
All in all, a very, very fun audiobook to listen to. The ultimate conclusion of the mystery seemed a bit anticlimatic and fantastical - somewhat Da Vinci Code-like, but, it was simply delightful in any case because of Amelia, Emerson and Ramses' parts in the outcome. I'm still a little foggy about what the actual mummy case actually had to do with everything, but it doesn't matter. The important thing is, they solved the mystery and all ended well. Frankly, the best part of these books isn't so much the mystery in them - it's the characterizations and the humor. That's what make this series so amusing and addictive - I'm eager for more!
4/5
Thursday, October 7, 2010
Into the Wilderness by Sara Donati (audio)
Book Description:
A novel that revolves around the forbidden, incandescent affair of a spinster Englishwoman and an American frontiersman. When Elizabeth Middleton leaves England to join her father and brother in the remote mountain village of Paradise in New York, she does so with a strong will and an unwavering purpose: to teach school. It is December of 1792 when she arrives in a cold climate unlike any she has ever experienced.
And she meets a man different from any she has ever encountered - a white man dressed like a native. His name is Nathaniel Bonner, also known to the Mohawk people as "Between Two Lives." Elizabeth's ultimate destiny, here in the heart of the wilderness, lies in the odyssey to come: trials of faith and flesh, and passion born amid Nathaniel's own secrets and divided soul.
This is a book that's been on my TBR list for a long, long time. I've been hearing about it ever since I finished the Outlander Series for the first time over five years ago. Everyone said if you like Outlander, you'll like this. I'd heard the heroine was like a cross between Claire Fraser and Elizabeth Bennet from Pride and Prejudice. It all sounded too good to be true. In response to all the praise, I resisted it, partly because I suspected I'd be let down. Well, sure enough, that's exactly what happened. My gut instinct, once again, was right. It wasn't bad, but I wasn't bowled over by it either. I'm glad I finally got around to it, but I just was not into it. The plot itself wasn't bad, but it made no impact on me. The characters had their good points and some were interesting, but for the most part, I was just kind of meh about the whole thing.
For a long book, it surprisingly lacked the depth and emotion I'd expect a book this size to have. I wasn't overly fond of any of the characters and had trouble really getting to like the heroine, Elizabeth, and the hero, Nathaniel. He was enigmatic, very much of a mystery to me. A white man, but raised very much with the ways and traditions of the native Indian (Native American). Elizabeth was always a little too stubborn. Very independent and intelligent, she was someone to admire but where was her warmth and tenderness - a likability about her? I felt at arms length with her. Granted, I was interested in what happens to her and Nathaniel but I would not consider their love for one another all that great - in fact, I thought it seemed awfully rushed the way they fell in love and it kind of left me perplexed how they schemed and plotted to run off together - amazing! Be that as it may, they made a good couple together. I liked the way Nathaniel called Elizabeth "Boots." That was cute, but it's just about the only thing I can think of! Although there were some nice love scenes, they lacked passion - as did the entire book.
Elizabeth Middleton is new to Paradise, an Upstate New York settlement, still in the early days of the new United States in the early 1790's. Her aging father, Judge Middleton, has lived there for some years already, although Elizabeth was raised in England with her dissolute brother, Julian. As soon as Elizabeth and Julian arrive in Paradise, she meets the Bonners - Nathaniel and his father, Hawkeye (from Last of the Mohicans). Both are mistaken for Indians at first, but it soon becomes apparent that they are white men, raised and adopted by the Indian tribe of the Kahnyen'kehaka. She and Nathaniel are instantly "in" to each other, though she resists it at first. She's a determined twenty-nine year old spinster, soon to be the schoolteacher in Paradise. He's a hunter who's used to wearing a feather in his long, dark hair, wears buckskins and has a young half Indian daughter from a previous marriage. Not exactly two people you'd expect who would hook up together immediately. He knows she's the one for him, and in his own blunt sort of way, he tells her so, and before we know it, they're lovers and planning to run away together to avoid Elizabeth's unwanted suitor, Richard Todd. Todd wants to marry her primarily to get the mountain her father owns and has promised to deed over to her when she marries. She doesn't want to marry Todd, and we find out that he is a force to be reckoned with and doesn't take "no" easily.
Nathaniel and Richard Todd have had an ongoing rivalry for years and there is no love lost between them. As much as Todd is a threat to them, I was never really all that worried about him as a villain. It was another guy, Jack Lingo, who had me worried. He was this trapper Frenchman that was after the "Tory Gold" a legendary gold that was reputed to have been stolen by Hawkeye's adopted father, Chingachgook. Lingo is convinced they still have the gold and he's can be a ruthless cold blooded killer. He pops up a few times in the story, enough to be a menace, but not a big one.
There are plenty of different characters in the book that gave the story some color, my favorite was the black housekeeper to the Judge, Curiosity. A freed slave, she was smart and bossy and knew more than everybody else put together! She stole every scene she was in! On audio, the parts with her sparkled and had life. Julian, Elizabeth's brother is a ne'er do well rake with a gambling problem, who manages to eventually redeem himself just before his death. Even he was somewhat of a cliche, but I liked the parts he was in. I was fond of Robbie Maclachlan, a Scot who another hunter and trapper and a friend of the Bonners in the bush. He had a cool cave that had it's own hot water spring - how convenient! All the Indian characters were one dimensional, not surprising since they are generally soft spoken, of few words. Hannah, Nathaniel's daughter was different, she was cute and perky, but borderline annoying some of the time. Most everybody else was just sort of meh. What can I say? Maybe it's me. It seemed like whenever something really big and dramatic should happen - it just kind of deflated and got solved too easily or was drawn out so much that it got boring, or everything faded in a cloud of blackness and we hear about what happened later.
The narrating itself was fine by Kate Reading who I know well from the Pink Carnation books. Some parts could not have been easy with the various Indian pronunciations that sounded halting on audio. I'm afraid much of the story just seemed dullish to me without any real compelling thread that made me want to see what happens next. I was glad when it was finally over, rolling my eyes a bit at the big surprise about Hawkeye's heritage.
Sorry for those of you that love this series, I know it's a favorite for many. Chalk it up to the fact that I've been spoiled by Diana Gabaldon, who's blurb of praise is smack dab right on the cover! If only this book hadn't been compared so much to the Outlander Series, maybe I'd have felt differently. Basically, the only similarity I found to it was the Indian connection. I did appreciate the cameo references of Gabaldon's characters (by permission) to young Ian Murray and Jamie and Claire at the Battle of Saratoga. Claire was referred to as a white witch healer. Yet, the reminder of them only seemed to exacerbate my indifference to Donati's characters in comparison! Plus, it made me want to re-read An Echo in the Bone sooner rather than later! (I'm really due for a re-read of it!)
I'm glad to have at least crossed this one off my TBR list (it was one of the books in my 2010 TBR Challenge this year - I'm not having the greatest luck in choices unfortunately, hardly any winners!) All I can say is, if you are a big Outlander fan, you may or may not feel the same way I do. It's a risk you'll have to take, it could go either way. The story here was a good one, it wasn't a total loss. The writing itself was well constructed and I appreciated a lot of the descriptions and research that went into the writing of it, particularly in regard to the native American Indians, but it just needed more "oomph" for lack of a better word.
3.5/5
Sunday, September 19, 2010
Mistress of the Art of Death by Ariana Franklin (audio)
Book Description:
A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction. In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a mistress of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .
I really enjoyed this - what shall I call it - an historical thriller? The lengthy description above pretty much gives an accurate account of what the book is all about. Adelia is an intelligent woman, a spinster by choice, she has no interest in attracting a man, she's a doctor, one of the few educated and classically trained women doctors in the world. What's her specialty? Corpses - they "talk" to her. Salerno has the only university that admits women in the study of medicine. Pretty amazing what she can glean by examining the body of a corpse back in the middle ages during the reign of Henry II. With no modern day accoutrement's she figures out over the course of her investigations where the children were murdered, how and most likely what was the motivation and background of the killer.
Adelia is summoned to Cambridge, England at the behest of Henry II who has a few crucial and entertaining cameos in the story. One of the first people she meets is Sir Rowley. At first we're not enamored of Sir Rowley. He's a tax collector. Images of the evil tax collectors in the legends of Robin Hood come to mind, so I took an instant dislike to him. He unexpectedly assists Adelia while she conducts her autopsies on the bodies. Is he the killer? His reaction to the autopsies is one of genuine horror and over the course of time we learn that Sir Rowley is not a bad guy and he begins to grow on us - as well as Adelia.
There are many interesting and rich characters. I particularly liked Prior Geoffrey, who she helps by relieving him of a prostrate problem. I also liked the young boy, Ulf and his grandmother, Gyltha. Throughout the story there are several red herrings as to who is the killer and why he killed these poor innocent children in such horrible ways, it's obvious he must be mad. Yet, the most interesting part of this novel is how Adelia narrows down the list of suspects of who is the murderer. Is it a monk, the prioress, one of her nuns, one of the knights returned from the Crusades? There are many possibilities all under Adelia's acute observation. Unfortunately, whoever the killer is, he's onto her and is determined to scare her off the case, as well as her friends who have come with her from Salerno to investigate. What's another murder to add to his list? At this point, the story ramps up and became hard to put down.
The writing in this novel is first rate, the descriptions, although gruesome were realistic and the grime and filth and dirt of this period rang true. Although I cringed in parts due to the horrific nature of the crimes, especially with children involved, I was engrossed with the story, and surprised to find out who the culprit was by the end. I was sure I had it figured out, but then I realized I was wrong and had to keep listening to find out who the killer was and if he'd try to capture little Ulf or Adelia herself!
I also found it interesting why Henry II was so concerned with the safety of the Jews in England (money, of course.) It was vastly entertaining near the end how Henry saw right through the Prioress, revealing just how greedy she was! I felt like clapping, for she was the worst! He also had the opportunity to show up the Church in retort to the whole Becket debate, which led to Becket's assassination and canonization, probably the most famous thing Henry II was ever known for and never lived down. Becket's obstinacy in not giving in to Henry's desire to give secular courts jurisdiction over clerical trials and disputes was at the heart of the matter in the debate. Here, the author manages to give Henry his chance to rub it in the church's nose, making it crystal clear why he insisted on being able to try churchmen - and women - who are convicted of crimes, rather than letting the church try their own. I won't reveal what happens or how exactly, but you'll know what I mean when you read the book and get to the end. Frankly, I loved it!
In addition, I loved the side story of Adelia's romance - it gave the story a richer and broader appeal and made her more human in my opinion. I was happy the way it all ended up for her, I won't reveal who her love interest is, but you might be able to guess anyway *grin* I rejoiced to see how she makes up her mind and goes with her conscience, even if it doesn't exactly coincide with her common sense.
As an audiobook, Rosalyn Landor did an excellent job with the narration, she's one of my favorite narrators, giving it all just the right accent and flavor of the times.
If you are a fan of forensic themed stories or a CSI devotee, as well as lover of medieval fiction - this book is for you! I rarely watch TV (except for some Seinfeld and Everybody Loves Raymond reruns) but from what I hear, forensic shows are really popular! I imagine this is sort of like a medieval version of them. I'm glad I read it, something different for me and I was pleasantly surprised! I highly recommend Mistress of the Art of Death and I'm eager to listen to the rest of the series now, the next one sounds even better than the first - featuring Eleanor of Aquitaine!
4/5
Sunday, September 12, 2010
The Curse of the Pharaohs by Elizabeth Peters (audio)
Book Description:
The joys of home and hearth are about to drive Victorian gentlewoman Amelia Peabody Emerson mad. While she and her husband, the renowned archeologist Radcliffe Emerson, dutifully go about raising their young son Ramses, she dreams only of the dust and detritus of ancient civilizations. Providentially, a damsel in distress, coupled with a promising archeological site, demands their immediate presence in Egypt. The damsel is Lady Baskerville, and the site is a tomb in Luxor recently discovered by Sir Henry Baskerville, who promptly died under bizarre circumstances. The tabloids immediately scream "The Curse of the Pharaohs!" Amelia and Radcliffe arrive to find the camp in disarray, the workers terrified, and a most eccentric group of guests. A ghost even appears. This is not at all what Amelia considers an atmosphere conducive to scientific discovery. Never one to deny others the benefit of her advice and example, the indomitable Victorian sets about bringing order to chaos and herself that much closer to danger. How Amelia triumphs over the forces of evil, and those who would stand between her and her beloved antiquities, makes for a delightfully spirited adventure.
Another highly amusing Victorian mystery involving Amelia Peabody and her gruff, archeologist husband, Emerson. The description above really tells it all. The two - now parents of an amazingly precocious child aptly named Ramses - head out to Luxor again and solve a murder mystery while excavating the latest royal Egyptian tomb. I listened to it on audio which was a hoot. Barbara Rosenblat does a fantastic job with the narration, particularly of the crazy Madame Berengeria (more on her below).
I laughed out loud dozens of times during the course of this book, Amelia, as usual, is always right - even when she's not! Her asides and the way she phrases things to make herself look good are hilarious. Emerson, as always, is brusque and tempermental, yet when it comes to his beloved Peabody he is endearingly, how shall I put it? I'll just put it the way Amelia does when referring to how Emerson shows his affections when they are alone in their bedchamber: *** (This asterisk description was hilarious btw with Barbara Rosenblat narrating it - she did an absolutely stellar performance as both Amelia and Radcliffe - simply delightful!) I was happy to note that despite being parents and a married couple for five years their love life has not been affected one bit. There's nothing graphic in these novels, but it's apparent that things are "good" when it comes to the bedroom. Even being in the room nextdoor to a flirtatious widow who has her eyes on Emerson doesn't seem to affect their nightly conjugal activities either!
There are too many hilarous things in this book to list, you'll just have to read it for yourself, but the one thing I must make note of is Rosenblat's voice of the mad Madame Berengeria - this nutty Egyptian woman that is always drunk as a skunk and convinced Emerson was her lover in a former life, he as her Egyptian King to her Egyptian Queen. It was hysterical, but Emerson managed quite well, with Amelia's help of course, in avoiding any amorous encounters with the bizarre woman. I still crack up, just remembering the way she talked - it was a scream! Another character I loved was little Ramses and his cute little lisping voice - so endearing and adorable - and what a mind! A chip off the old block and it looks like he'll be with them in future books while in Egypt too!
I really had fun with this audiobook and I have a feeling I am really going to love the rest of this series, it's like candy to read or listen to! Some parts got a little bogged down here and there, it was hard to follow on audio with all the details of whozit and whatzit getting murdered or clunked on the head, but the gist of it is, the murderer was caught and Amelia and Emerson played no small part in the outcome!
Enjoy! This is a fabulous, funny and very, very worthwhile series!
4/5
Sunday, September 5, 2010
The Historian by Elizabeth Kostova (audio)
Book Description:
After a young girl discovers her father's darkest secret, she embarks on a harrowing journey across Europe to complete the quest he never could-to find history's most legendary fiend, Dracula. When a motherless American girl living in Europe finds a medieval book and a package of letters, all addressed ominously to 'my dear and unfortunate successor,' she begins to unravel a thread that leads back to her father's past, his mentor's career, and an evil hidden in the depths of history.
Sounds good doesn't it? Dracula... secrets... a mystery, and evil...
Don't be fooled, this book was far too lengthy and detailed, much of which seemed entirely superfluous. Do I really need to know about old peasant women and their fire dances in Bulgaria - and what does that have to do with finding Dracula? I'm a lover of historical fiction, but... to me, this read like a travelogue of Eastern Europe and Turkey in the 1950's. The author spent ten years researching for the book and undoubtedly intended to use every bit of it for her novel. Well, good for her, but all the needless detail ruined what could have been a good suspenseful tale.
More often than not, The Historian reminded me of the Dracula version of The Da Vinci Code, but not as thrilling. Instead of the Catholic Church, we learn all about the evil Vlad the Impaler, Eastern Europe in the fifteenth century and French monasteries and the monks that kept their secrets. The story is bogged down with endless details, descriptions and historical references to the point where I lost track of the gist of the story. It didn't help that it jumped around from 1972 to the 1950's and then to 1930 sometimes with no warning whatsoever. At least in the audiobook I could differentiate since it was a different voice or accent for each period, but it was distracting to say the least.
As the story begins we meet a thirteen year old girl who's father is a diplomat living in Amsterdam. She is a precocious child who has a knack for history and learning. Upon raiding her father's library one day, she comes across a mysterious old book that is blank all but the middle page which is a florid and detailed woodcut picture of a dragon. This becomes a theme in the book. Certain historians with promise come across this same strange book in the oddest of places - including her father, his mentor, Professor Bartolomew Rossi and, coincidentally, a few other people that crop up in this novel.
Over time, the teenage girl questions her father about the book and he reluctantly tells her his story that begins with his mentor, Rossi who is his professor in college in the United States. Rossi's story begins in 1930 at Oxford when he first comes upon the same book with the dragon with the name "Drakulya" inscribed beneath it. He is intrigued by the woodcut and begins to do research on Dracula which takes him to Romania and Istanbul. Yet, there are evil forces that prevent him from continuing. It scares him from continuing his research until the 1950's when a young student, Paul, comes across the same strange book and questions Rossi about it. What a coincidence!
Paul takes up the quest of Dracula after his beloved mentor, Professor Rossi, disappears shortly after telling Paul of his strange and bizarre story of what he learned twenty years earlier about Dracula, Vlad the Impaler, secret maps, vampires and all sorts of odd things. Paul begins his research and soon meets Helen, an enigmatic and beautiful Romanian (or is she Transylvanian?) woman who also happens to be an expert on Dracula - and wonder of wonders! She is Professsor Rossi's long lost daughter that he never acknowledged! What a small world!
Paul and Helen join forces and begin their search for the missing Professor Rossi and the burial place of Vlad the Impaler who we now know is Dracula the Undead, a vampire who is still walking around terrorizing unsuspecting historians!
Still with me?
Meanwhile, this is all in flashbacks, for Paul is the diplomat in Amsterdam that is narrating this entire tale in segments to his inquisitive teenage daughter while they go from place to place in infinite detail. Then Paul has to leave unexpectedly while visiting Oxford with his daughter, who decides to follow him to a French monastery. She hooks up with a young student, Barley, that is assigned to escort her back to her home in Amsterdam, Only she talks Barley into escorting her to France instead and en route they sleep together (she's older now, maybe closer to eighteen at this point, but I'm unsure). Why the author even bothered with this sideline I don't even know, it was so unnecessary.
After much detail, loads of descriptions of small villages and background history it all comes to a climax in a monastery somewhere in France (I think, I lost track). Paul has left his daughter at Oxford because he has learned that his wife and the mother of his daughter is alive. It is Helen, Professor Rossi's daughter, his partner in crime who he met in the 1950's and fell in love with while searching for the missing Professor Rossi. After believing she has been dead for almost fifteen years, he drops everything to find her. We learn that she faked her own death so she could search on her own for the fiend, Dracula and thus end his reign of terror that has lasted for nearly five centuries. Did I mention that Helen turns out to be a descendant of Vlad the Impaler as well? I told you it reminded me of Da Vinci.
Now, this all sounds like a really exciting story, doesn't it? Trust me, it's not. It was slow and plodding and the story was burdened with such excessive detail I found it hard to keep track of the story and the whole point of this book! The basic gist of it is, Paul, the diplomat is in search of his (what he thought) dead wife, Helen..His daughter goes after him so they can all seek out the real Dracula (aka Vlad the Impaler) and kill him once and for all. If you can sift through all the mucky muck detail, be my guest. This book could have been shortened by at least 300 pages to make it a more concise, suspenseful novel instead of what reads as a 1001 Cities to See in Eastern Europe Before You Die travel book.
On audio, the narrators, (there were two, Justine Eyre and Paul Michael, one for the daughter and another for all the other voices) were good. Paul Michael who did the voices of the father, Rossi and Helen and the many other foreign accents did a great job, but I was disconcerted by his American persona as the father, since it was the same exact voice he did for the protaganist in The Lost Symbol (which I did not like), so it took me a while to get over that. Justine Eyre was satisfactory, her role was minor in the grand scheme of things.
Am I being too harsh in regard to this book? Maybe, but all I can say is I was fed up with this audiobook (all 26 hours of it!) by the half way point. Only the most die hard historical fiction enthusiasts will appreciate it. The writing itself was well done, but it needed an editor that wasn't afraid to edit a lot of the filler out. I kept with it since it was one of the selections on my 2010 TBR Challenge list - and thank goodness, I can now cross it off the list! Sheesh!
2.5/5
Saturday, September 4, 2010
The Bride by Julie Garwood (audio)
Book Description:
By edict of the king, the mighty Scottish laird Alec Kincaid must take an English bride. His choice was Jamie, youngest daughter of Baron Jamison... a feisty, violet-eyed beauty. Alec ached to touch her, to tame her, to possess her... forever. But Jamie vowed never to surrender to this highland barbarian.
He was everything her heart warned against - an arrogant scoundrel whose rough good looks spoke of savage pleasures. And though Kincaid's scorching kisses fired her blood, she brazenly resisted him... until one rapturous moment quelled their clash of wills, and something far more dangerous than desire threatened to conquer her senses...
The Bride is my favorite Julie Garwood novel, and probably one of my all time favorite romance novels ever. A cut above the usual Highland romance, this is a re-read for me, only this time, I had the great pleasure to listen to it on audio. It was like reading it again for the first time and I loved it! In my opinion this is Julie's best book and it's the book that hooked me on romances. I was spoiled by The Bride, for I read it early on in my romance reading and it wound up becoming the gold standard for the way I rated other romances. Coming off my love for Outlander I picked this up having no idea how good it was going to be. I was blown away by it and I was hooked on highlanders (other than Jamie Fraser) from that moment on.
What makes it so good?
- Humor. Tons of funny laugh out loud, delicious moments between the hero and heroine. Garwood is great at this!
- The Hero. Alec is an alpha medieval Scottish hero with a kilt and accent that stole my heart. I really love him!
- The Heroine. Jamie is the endearing, slightly klutzy, feisty, stubborn heroine with a heart of gold
- Plot. An amusing and diverting plotline that is a joy to read; these two people are thrown together in a marriage of convenience and against all the odds - it works! Plus there's the usual murder mystery as well that's a bit more complex than the usual.
- Romance. Mmmm... mmmmm good. The chemistry between Alec and Jamie is perfect, they're a great match for one another, not to mention the sex which is passionate and memorable - yet, not over the top. Highly satisfying, appropriate and well done.
Jamie is unaware of her own beauty, she's natural and guileless - although she's not perfect. She can be extremely stubborn though it's couched with an endearing naivete. Alec as the laird of his clan is no nonsense, decisive and used to being obeyed without question. He selects Jamie to be his bride and rides off to Scotland with her immediately after. Jamie follows him, unhappy at her lot, but she obeys him, though she has a lot to learn about her new Scottish warrior husband. Her delusions of how she'll be able to handle him are so sweet - and so unrealistic! I just loved her and she does get her way with him most of the time! Without trying - she's irresistible - I really loved her!
*I'm so gushy over this book!*
And so begins a fabulous romance in which two totally different people learn to live and love with one another after being forced to marry. She is the newcomer from England who must learn Alec's Scottish ways, and he has to learn how to chill out and treat her like a person and not as a possession - even though he does say at least once, "Mine!" Both bend and make compromises. They basically get used to married life. Eventually they learn to trust one another and become a team as unlikely as that sounds in the Middle Ages (a few fictional liberties are taken, obviously). Alec is the one that needs to change the most, he thinks of her as his chattel. It's harder for him to accept his young wife's new ways, much less as an equal. He's the consummate alpha male, set in his ways, brooking no arguments when he gives an order. Yet he's so attracted to her from the beginning, it's hard for him to say no to those violet eyes. This is amusing in of itself, especially the way all his men see the way he changes towards her. For such a big and imposing man, Alec is a great and gentle lover, the love scenes between them are the best, not overdone, nor full of purple prose - just right. Their first time together is one of my all time favorites romance scenes. A nice long build up starting with my all time favorite Julie Garwood moment when Alec says to Jamie on their wedding night as she cuddles up to him after bathing in a freezing cold pond,
"Jamie, you're wearing my plaid"
A priceless moment for she has told him that she will not let him bed her until she's wearing his plaid - and here she is totally oblivious to the fact that she's already wearing his plaid to keep warm! I laughed out loud at Alec and his cleverness - he knows what he wants and how to outsmart her! Her initiation to sex that night is ideal and the chemistry between the two sets the tone for the rest of the book although Jamie keeps him at bay for a long time once they're back at his castle, sticking to her guns regarding "bedding" and "privacy" and "wearing his plaid."
Besides the romance scenes, there are a million little moments between this pair that are funny and clever. Much to her own amazement, one of Jamie's little peculiarities is that she has a knack for starting clan wars at the drop of a hat! It was hilarious how she'd set off these fires unawares and then Alec's amazed reaction when he hears about his bride's latest indiscretion. Scottish clans think nothing of going to war with the slightest provocation. Yet, as annoyed as he gets with her, he can't get mad at her because she blithely made him promise he'd never yell or get angry at her - a promise he comes to rue over and over again for he's known for his temper! But, the great thing is, no matter how exasperated he gets - he's always behind her one hundred percent and backs her up with all his men. What strength - I loved it! Frankly, I loved Alec, period. He's one of my all time favorite romance heroes. Big and strong, commanding, fearsome, yet he turns to marshmallow inside when it comes to his adorable little English wife!
There are too many great scenes to discuss, but after their wedding night scene, my second favorite is between Jamie and the King of Scotland. It's priceless, and one of my all time favorite Julie Garwood moments. Jamie is unaware that she's talking to the King of Scotland who is supposed to visit their castle. She comes upon him unexpectedly, not realizing who he is. She's upset over her latest mishap (she has many), going on and on about her new marriage and how she thinks Alec is going to kill her over her latest. She wants to wear his plaid now, which is really important to her, showing her love and support for his clan, but she can't get the pleats right. She's telling this all to the king who she thinks is just some visiting lord. Meanwhile, Alec is leaning against the door jamb listening to his zany wife go on and on with the King who actually winds up listening sympathetically to everything she's saying and then actually fixes her pleats for her! I especially love it how she gets this vexed look on her face with the king and berates him for not paying enough attention as she tells him her long sob story. It's very funny and Jamie is so adorable! In many respects this reads like a screwball comedy - she is one of my all time favorite and funny heroines!
Besides the obvious romance going on between Jamie and Alec, there is also the whole mystery of who is trying to kill Jamie. This is not an unusual plot point in a romance, but this one is well thought out. I believe the first time I read The Bride I didn't quite figure out who was behind the murder of Alec's first wife. Yet on listening to it this time, I realize how well Julie builds her case and reasoning of why the killer murdered his first wife. Although Alec's wife died (everyone believed it was a suicide) we learn she left a baby daughter behind from a previous marriage. Once Jamie finds out about the little girl, she immediately wants to retrieve her and raise her as her own. Adopting the young daughter of Alec's dead wife is a nice way to parallel Jamie's own upbringing. She won't let the young daughter, Mary Kathleen be raised by someone else, especially if they've been abusing her. I was also glad that this storyline did not become center stage, which belongs to Jamie and Alec. Yet it only underscored what a heart of gold Jamie has and how warm and compassionate a person she is. I'm making her sound perfect - and she comes close.
As far as the audio version of this romance, it doesn't detract from the in print version at all. Rosalyn Landor does a great narration, though her voice for Alec is a little high for my own tastes, I wish it had been a man doing his voice ;) Still, the characters all came to life for me and it was an excellent rendition, you can't go wrong with it.
So, thank you for reading through my gushy homage to a favorite re-read and if you haven't checked this book out yet, go for it! I recommend it highly to anyone that loves a highlander romance with men in kilts. Plus, another thing I loved about it was that for once it was a book that wasn't filled with a ton of angst at the end that goes on for 50 pages where the heroine is kidnapped and the hero has to rescue her as I find in many romances. There was some tension there at the end with the murderer, but bearable. My favorite aspect of the book was the relationship between Alec and Jamie and how they interacted. One minute they're at loggerheads with each other, the next they're just plain into each other - a totally, totally fun read!
5/5
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